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Samuel Ricke
J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio
Samuel Ricke
5:27 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 24 34 8 6 100%
Bass 22 2 10 6 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 24 34 8 6 100%
Bass 22 2 10 6 100%
Fagotto. Bass 23 0 10 6 100%
Oboe
I.		 Treble 18 0 7 10 100%
Oboe
II.		 Treble 17 0 5 5 100%
Oboe
III.		 Treble 13 0 4 5 100%
Viola. 17 0 7 7 100%
Violino
I.		 Treble 19 0 5 7 100%
Violino
II.		 Treble 16 0 6 5 100%
Violino
piccolo.		 Treble 23 0 9 9 100%
Violoncello. Bass 22 0 10 6 100%
Violone. Bass 22 2 10 6 100%
 
Mozart: "Maurerische Trauermusik", K. 477
Samuel Ricke
3:36 Est. Play
Time
69 Measures
1,115Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboi Treble 22 34 7 6 92%
Violino
I.		 Treble 28 1 10 12 90%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboi Treble 22 34 7 6 92%
Violino
I.		 Treble 28 1 10 12 90%
Contrabasso Bass 19 0 6 6 88%
Violoncello. Bass 19 0 6 6 88%
Violino
II.		 Treble 19 12 7 9 87%
Viola. 21 16 7 7 87%
Clarinetti
in
B.		 Treble 11 0 0 5 75%
Corni
di
Bassetto.		 Treble 7 0 0 6 72%
Treble 19 0 5 7 71%
Bass 16 0 4 7 72%
Corno
in
E.		 Treble 10 0 0 6 72%
Granfagotto. Bass 15 0 3 7 68%
Corno
in
C.		 Treble 6 0 0 6 58%
 
Mozart: Symphony No. 39 in E♭ Major, K. 543: II. "Andante con moto"
Samuel Ricke
18:36 Est. Play
Time
161 Measures
2,004Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 24 0 9 7 95%
Violino
II.		 Treble 24 12 10 9 93%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 24 0 9 7 95%
Violino
II.		 Treble 24 12 10 9 93%
Viola. 24 8 8 8 92%
Violino
I.		 Treble 32 2 17 11 89%
Basso. Bass 24 0 9 6 76%
Fagotti. Bass 23 34 9 8 59%
Clarinetti
in
B.		 Treble 26 45 8 8 58%
Corni
in
Es.		 Treble 11 8 1 5 50%
Flauto. Treble 22 0 9 7 41%
 
Requiem in D Minor, K. 626, VII. Communio: Lux Aeterna By W. A. Mozart
Samuel Ricke
5:53 Est. Play
Time
82 Measures
3,467Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 25 0 9 9 100%
Organo Treble 28 140 10 10 89%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 25 0 9 9 100%
Organo Treble 28 140 10 10 89%
Bass 25 2 8 9 95%
Violino
II		 Treble 32 0 13 10 95%
Contrabasso Bass 21 1 6 9 94%
Violino
I		 Treble 28 0 10 9 94%
Viola 25 0 8 9 93%
Fagotti Bass 24 0 8 10 91%
Basso Bass 17 0 5 9 89%
Trombone
Basso		 Bass 17 0 5 9 89%
Soprano 21 0 7 7 88%
Alto 19 0 7 8 85%
Trombone
Alto		 19 0 7 8 85%
Corni
di
Bassetto		 Treble 23 0 8 8 83%
Tenore 18 0 6 7 82%
Trombone
tenore		 18 0 6 7 82%
Trombe
in
D		 Treble 4 3 0 6 20%
Timpani
in
D,
A		 Bass 2 0 0 6 18%
 
Toccata and Fugue in D Minor, BWV 565, By Johann Sebastian Bach
Samuel Ricke
1:20:18 Est. Play
Time
143 Measures
3,228Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 32 31 11 11 91%
Bass 37 8 13 11 89%
Bass 21 1 8 8 45%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 32 31 11 11 91%
Bass 37 8 13 11 89%
Bass 21 1 8 8 45%
 
*GOOD SOUNTFONT* Beethoven: Symphony No. 9 in D Minor, Op. 125 I. Allegro ma non troppo, un poco maestoso
Samuel Ricke
31:30 Est. Play
Time
547 Measures
12,688Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 34 9 19 10 92%
Violino
II.		 Treble 34 52 17 10 91%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 34 9 19 10 92%
Violino
II.		 Treble 34 52 17 10 91%
Violino
I.		 Treble 37 22 20 10 88%
Viola. 30 48 16 10 88%
Oboi. Treble 27 64 12 10 84%
Fagotti. Bass 35 57 17 10 84%
Basso Bass 32 0 16 10 83%
Clarinetti
in
B.		 Treble 36 85 17 10 82%
Corni
in
D.		 Treble 14 22 4 9 80%
Flauti. Treble 31 41 12 10 80%
Corni
in
B
basso.		 Treble 16 17 3 10 65%
Trombe
in
D.		 Treble 12 6 2 9 59%
Timpani
in
D.A.		 Bass 2 0 0 8 58%
 
Michael Haydn: II. Dies Irae - Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155
Samuel Ricke
11:37 Est. Play
Time
291 Measures
6,237Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassi ed
Organo.		 Bass 33 0 12 7 100%
Contrabasses Bass 27 0 9 7 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassi ed
Organo.		 Bass 33 0 12 7 100%
Contrabasses Bass 27 0 9 7 100%
Fagotti. Bass 27 0 9 7 100%
Violino
II.		 Treble 29 0 11 9 100%
Violino
I.		 Treble 30 2 13 10 99%
Organo. Treble 23 153 9 6 98%
Bass 27 0 9 7 98%
Soprano. 18 0 7 8 69%
Alto. 16 0 6 8 69%
Tenore. 18 0 7 8 68%
Basso. Bass 21 0 9 7 64%
Trombone
I.		 16 0 6 7 51%
Trombone
II.		 16 0 5 7 50%
Trombone
III.		 Bass 19 0 7 7 49%
Clarini
in
C.		 Treble 8 9 2 7 34%
Trombe
in
C.		 Treble 3 2 0 5 24%
Timpani
in
C.G.		 Bass 2 0 0 5 21%